2006 DANCE SALAD FESTIVAL PROMISES
A FRESH MIX OF WORLD-CLASS DANCE
HOUSTON, TX (December 5, 2005) — The 2006
Dance Salad Festival is scheduled for April 13, 14 and 15, 2006,
at 7:30 pm, Wortham Center, Cullen Theater. Now celebrating the
11th anniversary season in Houston and 14th season since its inception
in Brussels, Belgium, Dance Salad Festival promises another gathering
of world-class performers. Famous in their own countries, the dance
companies have won praise from critics and audiences everywhere
they have toured. Dance Salad Festival has presented dancers, choreographers
and companies from the Americas, Europe, Asia and Africa.
Dancers from the following companies will
perform at the 2006 Festival:
The Beijing LDTX Modern Dance Company (China) was
founded in December
1995 as an independent company under the leadership of the Beijing Cultural
Bureau. This company has gathered together some of the
best modern dancers in China, while building a
team of outstanding choreographers under the artistic management
of Willy Tsao. The company has attracted attention by integrating
the traditional culture of China with influences from
abroad. The result is the creation of a variety of innovative modern
dance works reflecting the fusion of these two elements.
Husband and wife choreographers Li Han-zhong and Ma Bo created All
River Red set to Igor Stravinsky’s The Rite
of Spring,
which will be presented at Dance Salad Festival. This piece was
a hit in summer 2004 at Opera Bastille in Paris as well
as at Washington’s
Kennedy Center’s 2005 Fall Festival of China.
The Guangdong Modern Dance Company (China)
is China's first professional modern dance company. Internationally
renowned for its captivating performances, the company was founded
in June 1992 under the auspices of the Guangdong Provincial Cultural
Bureau. Willy Tsao currently serves as general manager and
artistic director and Liu Qi as executive artistic director. Works
created by its dancers, resident choreographers, artistic directors
and international guest artists have been staged at home and abroad.
Its performances have always met with critical acclaim and overwhelming
audience responses. Sections of Liu Qi’s Upon Calligraphy
will be presented to audiences at Dance Salad Festival set to the
music of Li Chin Sung. The sections As the Form of Official
Script and As the Form of Regular Script illustrate
the ancient art of calligraphy as expressed through the art of modern
dance. This work was presented at the Kennedy Center’s Festival
of China in October 2005.
The Dutch National Ballet (Netherlands)
is the largest dance company in the Netherlands, with nearly 80
dancers. It is an international troupe with many dancers who have
come from other prestigious companies. Ex-dancer Ted Brandsen became
assistant artistic director and resident choreographer in 2001 and
was named director in 2003. Choreographer David Dawson will present
Morning Ground, with music by Frédéric Chopin,
a US premiere with the original Dutch National Ballet dancers, at
the 2006 festival. He has presented two US premieres in previous
Dance Salad Festivals. The company will also perform Before/After
by choreographer Annabelle Lopez Ochoa set to music by Marc van
Roon, also a US premiere, and the section entitled The Man I
Love from Who Cares? by George Balanchine (©The
George Balanchine Trust) to the music of George Gershwin (orchestrated
by Hershey Kay). Additionally there will be two short films by dancer
Altin Kaftira, To the Point and Intimacy. This will be
the third appearance by the Dutch National Ballet at Dance Salad
Festival, the only organization to bring this prestigious company
to the United States in the last 20 years.
Béjart Ballet Lausanne (Switzerland)
Maurice Béjart, born in Marseilles in 1927, trained as a
classical dancer before touring with the International Ballet
in London. His dance company, The Ballet of the 20th Century
in Brussels, Belgium, was renamed Béjart Ballet Lausanne
when the company moved to Switzerland in 1987. When he founded his
Brussels company in 1960, his daring blend of a classical vocabulary
with his own totally new style was nothing short of revolutionary.
He expected more than mere technique from his dancers; he wanted
them to have a broad appreciation of theater, the arts and Eastern
cultures. His La Barre, will be performed by William Pedro,
set to Tritsch Tratsch, a polka by Johann Strauss. This
exciting work is a US premiere.
Texas Ballet Theater (Dallas/Ft. Worth)
is the second largest professional dance company in the state; it
performs to well over 100,000 people each year. This season, the
Ballet will employ 30 professional dancers and produce 50 performances
in Fort Worth and Dallas. Ben Stevenson, former artistic director
of Houston Ballet, joined the company as its new director in 2002.
His Vivaldi Pas de Deux, performed to the Winter section
of Antonio Vivaldi’s Four Seasons, will be featured
at Dance Salad. Stevenson choreographed it for the Sadlers Wells
Theater in London in 1983 as part of a fundraising benefit under
the patronage of Princess Margaret to save the theater threatened
with closure.
Royal Danish Ballet (Denmark) Performing
in the Royal Danish Theatre, established in 1756, the company has
been delighting audiences for centuries and boasts one of the oldest
ballet schools in Europe. With this season's breathtaking repertoire
featured in three new stages, the Royal Danish is living proof that
modern dance and classical ballet can draw mutual inspiration. The
company is under the artistic direction of Frank Andersen. A US
premiere, Les Bras de Mer, performed by two principal dancers
will be presented at Dance Salad Festival with choreography by Petr
Zuska (director of Prague National Ballet) and music by Yann Tiersen.
Danish Dance Theater (Denmark) Established
in 1981, Tim Rushton took over the artistic leadership in 2001.
The Danish Dance Theatre is one of the major forces in contemporary
dance in Denmark. The company has gained an international presence
and enjoyed acclaim throughout Europe, North America, Australia
and the Middle East. The gap between contemporary and classical
dance is the signature of Tim Rushton and the company. Rushton
has been a dancer and choreographer in Denmark for the last 18 years.
He ended his career as a dancer at The Royal Danish Ballet in order
to focus on his choreography. Rushton will present sections from
his work, Silent Steps, with music by Bach, also a US premiere.
Trey McIntyre Project (Florida) Trey
McIntyre began his career at Houston Ballet under the artistic direction
of Ben Stevenson in 1987. McIntyre has since choreographed works
for companies both American and foreign, including American Ballet
Theatre, Stuttgart Ballet, and Ballet de Santiago. His most recent
accomplishment is the founding of his own company that rehearses
at the White Oak Plantation in Yulee, FL, home of Baryshnikov's
White Oak Dance Project. Dancers from Ballet Memphis, where McIntyre
held the title of Resident Choreographer, will perform Chasing
Squirrel, with music by the Kronos Quartet. This piece pairs
a leggy Latin lady on pointe with men in red zoot suits in a dancehall
scene.
Göteborgs Operans Balett (Sweden)
The second largest ballet company in Sweden has a diversified repertoire
designed to attract a wide and varied audience. The Ballet thrives
under the new artistic direction of Kevin Irving. Renowned American
choreographer Nicolo Fonte has created a full-length ballet, Re:
Tchaikovsky, sections of which will be presented at Dance Salad;
called Re: Tchaikovsky Suite, it’s a US premiere.
Fonte used Tchaikovsky’s letters and diaries to add new dimensions
to our image of the man and the composer.
Ballett der Staatsoper Hannover/Thoss-Tanz
Kompanie (Germany) German choreographer Stephan Thoss will
present two original works at Dance Salad, which will also be US
premieres. Thundering Silence with music by Antonio Vivaldi
and Alessandro Marcello will be performed at the festival along
with a section of the imaginative Unter dem Hundsstern,
which will be danced to music by Laurent Petitgand. Thoss, formerly
with the Kiel Ballet, has created fascinating large-scale works
such as Giselle M. with his Hannover company. The shorter
works coming to Dance Salad Festival show him at his most intense
and intriguing.
Ronald K. Brown / EVIDENCE (New York)
Praised by The New York Times as “one of the most profound
choreographers of his modern dance generation”, Ronald K.
Brown / EVIDENCE blends African, modern, ballet and hip-hop dance
styles to tell stories about the human experience. He shares various
perspectives on life through modern dance, theater and kinetic storytelling.
Brown’s work says through the body what cannot be said in
words. From the complete work, Come Ye, choreographed by
Brown, sections entitled Revolution and Amen will
be performed at Dance Salad to music by Nina Simone and Fela Anikulapo
Kuti.
Or just to put it all in one salad bowl of quick
statistics: 7 new companies to Dance Salad Festival this year;
8 US premieres; 11 dance companies represented with 73 dancers;
13 different choreographers doing 14 choreographic works…all
in three days!
Dance Salad Festival is a curated international production
with performances by companies in the United States and around the
world chosen solely for their excellence, an event that can be seen
only in Houston.
Classical, modern and contemporary dance share the
Dance Salad stage to form a magnificent mélange of styles
and traditions. Members of some of the most respected dance companies
world-wide come to Houston to participate in the Festival which
also includes a full week of education and outreach activities culminating
in three nights of performance. Each night’s production is
different yet is designed as a coherent, expressive performance
which interweaves with the others to create a compelling whole.
Many of the pieces are performed twice in the three-day format.
This multicultural presentation has received international
recognition for its quality and innovativeness and has consistently
been a source of cultural pride for many foreign communities that
are represented in Dance Salad Festival. Community outreach programs
include lectures, demonstrations and exhibits. The Festival also
invites students from across Texas and the Mexican border to participate
in a Master Class Series and lectures presented by the internationally
acclaimed artists. The involvement of the artists in the community
serves as an introduction to the various countries and cultures,
thus fostering understanding and mutual respect. Houston’s
Consular Corps is a community partner and many members serve as
sponsors and hosts. Director Nancy Henderek strongly believes that
through the arts we can build bridges between contrasting cultures.
Dance Salad Festival has been praised by local, national
and international publications. Dance Magazine said: “Producer
Nancy Henderek’s eye for some of the best international dance
is unparalleled….(Dance Salad) could wind up as the premier
contemporary dance festival between the East and West coasts.”
In a recent special section of The Houston Chronicle entitled “Houston’s
Ultimate People,” Nancy Henderek is described as a “one-woman
United Nations.”
For up-to-date information and photo gallery please
visit www.dancesalad.org
Media Contact:
Julie Lambert
713.355.9011 (off)
713.294.9034 (cel)
goodthinker@houston.rr.com
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